Pink – the shade of delicacy, love, all things girly. If not for Aniruddha Roy Chowdhury’s most recent directorial wander, one could never trust “PINK” could likewise allude to the gutsy lady who rests inside; the person who hasn’t learned to surrender. You now know what are we discussing.
Featuring Amitabh Bachchan, Kirti Kulhari, Andrea Tariang and Angad Bedi, “Pink” mirrors the terrible shades of sexual savagery and good policing against ladies in its own hard-hitting way. The film rotates around Meenal (Taapsee Pannu), Falak (Kirti Kulhari) and (Andrea Tariang), three free working ladies who share a level in Delhi. Rajveer Singh, the spoilt nephew of a legislator, alongside his companions looks for some “delight” in the three young ladies and winds up injured as Meenal hits him in a course of self-preservation. Crestfallen, Rajveer picks Meenal and attacks her in a gathering. Nonetheless, the police decline to enlist a dissension. Depleted with all the skank disgracing, the ladies are on an edge to surrender. That is when shows up Amitabh Bachchan, a baffling neighbor; a previous legal counselor who again puts on the dark coat to battle for the young ladies. What takes after is a progression of depleting and savage court procedures. Will equity ever win? The voyage till the end is severely legitimate, and an eye opener for every one of us.
Remaining in 2016, the length of a lady’s dress or the quantity of pegs she devours are still the deciding components of her character. In the midst of all the strengthening on hoardings and TV screens, the assent from a lady’s side is so exceptionally underestimated. Tossing her under the focal points and making judgmental conclusions for every move she makes has been a pattern for long at this point. In the most recent couple of years, no other film has managed them as effectively as “PINK” does.
For executive Aniruddha Roy Chowdhury, who is known for his National Award winning Bengali film ‘Antaheen’, “PINK” was his first Bollywood break. How he nailed it! He made a colossal movement regarding class and the size of movies he made some time recently. What’s more, the danger has most likely paid off.
Anticipate a fabulous execution by the whole cast. While Amitabh Bachchan is yet again taking care of business and is in no state of mind to relinquish the “Shahenshah” label, it is the youthful detachment which abandons us delighted as well. Newcomer Angad Bedi, with his tight and controlled execution, lets us know he is setting down deep roots. Among the three young ladies, we couldn’t take our eyes off Taapsee. What brightness she radiated! You’d like Kirti and Andrea with their inconspicuous expressions. Mamata Shankar’s visitor appearance is a lovely shock!
Avik Mukhopadhyay’s cinematography is slick and reduced. It is Shantanu Moitra’s music which merits a unique notice. Adept and extraordinary, they have brought alive the arrangements and dispositions.
The producers were inquired as to whether “PINK” drew motivation from the 2012 assault case from Delhi , as the film itself is additionally set in Delhi. It has drawn references from numerous cases yet is not roused by any of them, they said. Presently we realize what they implied. “PINK” is not a result of motivation drawn from reality. It itself is a motivation; for all the valiant-hearted ladies out there who set out to act naturally.